Tag Archives: Damien Hirst

What I am up to…

Yes yes, I have been somewhat neglectative (is that even a word? Spellcheck says no…) of Stella Was A Diver of recent times. I’m sorry. I have many a-project on the go in work life , in regular life and all forms of life betwixt.

If you hop on over to my new photo blog one photo each day you will see that, in an attempt to get back into doing photography, I am documenting my entire life by taking one photo each day.

I am now also writing all about social media goodness and creativeness on a new collaborative project. That link will follow when there’s a bit more content and stylings sorted.

On the weekend, I “did some culture” and visited the National Portrait Gallery to see, as I do every year, the Photographic Portrait Prize. There’s some amazing photography there, go see it while you can. Some of my favourites below…

(note that the colours and prints are much more incredible “in real life”)

I also made it to The Photographers Gallery, happily settled in its new backstreet Soho home. What a lovely venue. Slightly depressing exhibition subject matter at the moment, however.

Tomorrow, I am very much looking forward to going to see Shutter Island (hooray for having film clients!), there’s some trailerlove for you below. Looks good, no? AND I intend to check out Damien Hirst’s new exhibition at White Cube Hoxton soon. Seeing as I can see it from my desk I think “why not?!”


Pop Life @ Tate Modern

On Friday eve I eschewed my usual grotty Hoxton pub eve of cheap vodka and naughty antics and went and “did some culture”. Armed with my newly procured Tate membership I crossed the river to the Tate Modern and headed to the new Pop Life: Art in a Material World exhibition…

Pop Life

Whilst I understand that this focuses on the materialisic nature of our society, I did leave the exhibition feeling a little bit flat. It all feels a bit ‘bitty’. Whilst there is lots of Andy Warhol at the beginning, a re-creation of Keith Haring’s Pop Shop and a whole sectioned off room dedicated to Jeff Koons‘ (far too gratuitous) explicit work, everything else feels a bit cobbled together. Even Damien Hirst’s Spot Paintings was disappointing, though mainly as the appointed identical twins supposed to be sitting under the paintings had nipped out for a fag when we arrived.

Keith Haring's Pop Shop

There are some good bits, of course, but overall I’d say that Pop Life is worth seeing only if you don’t have to pay for it.

How very ironic.

Pop Life @ Tate Modern microsite


Win a Damien Hirst

damien hirst

Bit slow on the uptake but The Guardian is running a competition for someone to win an original Damien Hirst, the very same painting as used on the album artwork for The Hours’ new album ‘See The Light’. Answer each daily question correctly for 20 days to be entered.

I love it when music and art collide.